An Emotional Response
”If you have a creative impulse, whether it be art, music, writing, theater, cooking, whatever — express it. Don’t let you own hang-ups, caution, fear of failure or ridicule stop you…!”
She worked in a department store, at a commercial art studio and a PIP printing (where she quit on her first day, before lunch)! It was around this time that she first saw an issue of Juxtapoz with a cover by Mark Ryden – and was struck. The urge to paint was growing, but she lacked the knowledge and confidence to do anything about it. It seemed so complicated. Her very early attempts were very graphic, comic book style. Hard colors. ”
”Jam Sandwich” was the first layered painting she produced, and is the only one of her pieces that she will keep.
Her original inspirations relied heavily on anime, Tamara De Lempicka , and Mark Ryden. She loved the creative expression of the Harajuku kids in Tokyo. They filled her with such hope and excitement. Originally the intention of her paintings was just about creating a strong image, purely visual. She wanted to impart a modern tongue-in-cheek humor, incorporating her experiences. Contemporary, ballsy, flirty, weepy girls; punk, catholic, no-nonsense, damaged but not broken girls. Funny, intelligent, unusual, independent, odd ball, outsiders. Lovely. Even though her work have often been associated with Margaret Keane ”Big Eyes” paintings but believes the two of them are very different in essence.
The next logical step for her was to move into oils. With no formal fine art training whatsoever, and no knowledge of art history and even less of art technique it seemed like the most complicated thing in the world — fat over lean? What the hell did that mean? So, in 2003 she bought a book off the Internet “How to Paint with Oils.” she decided to give it a go, and has never looked back. Oils have a whole new set of rules.
As time goes on she finds herself relying less on the narrative and more on the emotive. She hopes that her work can connect with people on different levels. She is trying to harness a single moment in time, an emotional response, seemingly insignificant gesture that can mean so much.