Mystery Blogger Award was created by Okoto Enigma. She describes it as an award for amazing bloggers with ingenious posts. Their blogs captivate; inspires and motivates. They are the best and deserve the recognition they get. This award is also for bloggers who find fun and inspiration in blogging and they do it with so much passion.
As with all awards, the Mystery Blogger Award comes with some rules that should be listed on your Mystery Award post but of ocurse, no one is obligated to accept and act on the award.
Post the award logo/image on your blog.
Thank whoever nominated you and give a link to their blog.Thank you so much, Robert Goldstein !!!
Mention the creator of the award and give a link as well.
Tell your readers 3 things about yourself:
1-I don’t like drinking alcohol 2-I was a very lonely child 3-I met Nina Hagen in person as we were both drinking at the Tunnel’s bar in New York in the 80’S.
Nominate 10 – 20 deserving bloggers and notify your nominees by commenting on their blog.
Ask your nominees any 5 questions of your choice; including one weird or funny question:
1-If you could meet with anyone in person dead or alive who would it be? 2-If you cloud instantly be gifted for something or have a special power what would it be? 3-What is your favorite book? 4-What has been your favorite decade and why? 5-Do you have a sex fetish (don’t lie!) and which one is it?
Henriette Valium is a comic book artist and painter based in Montreal, Quebec. Born Patrick Henley, ever since his beginnings in the early 1980s, his provocative and hallucinogenic style has kept him well away from the mainstream comic book industry.
Valiumis for sure one of the greatest cartoonist of all time. For the last three decades his creations have been widely dispersed in numerous underground anthologies, fanzines, self-published oversized silkscreen comics, and various mixed-media collaborations. He’s become a regular in almost every independent zine, compilation and catalogue in North America and Europe. The heavy black lines and manic detailing of Valium’s psychotic storylines demand attention, weeding out any casual readers.
In his extremely peculiar way, Valium explores the rotting decay of an urban environment that he obsessively renders and depicts in horrific, sometimes nonsensical way. He’s hilariously fascinated as well with every possible corruptions of the human body and it’s mind: sickness, addictions, abnormal sexuality and social decay, exposing our culture’s fears and hypocrisies with an acute, caustic, sharp and absurd sense of humor. Many say that his books are more about creating an experience than reading a comic book. I say there’s nothing wrong about being both.
Valium has been exposed all around the world for his works of art and collage. Google him. This is just a very tiny part of his work. Enjoy the roller coaster ride!
Afterthoughts on Bockris’ ”Muhammad Ali In Fighter’s Heaven”
I was reading ”Muhammad Ali In Fighter’s Heaven’‘, one of a mutlivolumesque serie of very thorough biographies written byVictor Bockris, treating of everything that has to do with some specific thinkers and doers that were behind the 60’s counterculture and social revolution. ”Muhammad Ali In Fighter’s Heaven” was published the day after his victory over Foreman in 1974 and it was Ali’s favorite book about himself (and mine too!). If you check out the author’s bibliography you will find some of the most iconic figures of that revolution: All of which can be related in one way or another to Beat Punks. I’ve already reviewed in-depth his remarkable biographies about Andy Warhol and Lou Reed . By the way, I intend to review all of Bockris’ biographies in the near future here on LAN.
So, in the blue corner, you have all these writers, painters and musicians and then, in the red corner, there is a real boxer, an athlete so good that he left for sure a permanent mark in the boxing world. And you may ask yourselves ”How did he get there? How does Ali fit in with all these people who triggered a revolution in the 60’s?” Let me just say for starters that they all, in their own ways, shed some blood, sweat and tears. Muhammad Ali was much more than an athlete or an inspiring success story. Most people remember him from the early days of his celebrity for being a loud mouth. He sure was one. For each and every opponent he fought he would ”bust some rhymes”, taunting his opponents, predicting in how many they would go down, making fun of them any which way he could as well as giving names and meanings to his fights likeThrilla in Manila, (Ali-Frazier IIIin Manila, Philippines, October 1, 1975) and Rumble in the Jungle (Ali-Foreman in Kinshasa, Zaire, October 30, 1974) that led to a documentary called”When We Were Kings”.
Ali remembers the origins of his poetry: ”It was ’62, when I fought Archie Moore. Moore rhymed with four, so the publicity for that fight was:
hit the floor
in round four
Then I fought Henry Cooper, I said:
This is no jive
leave in five
Doesn’t that sound like rap to you?? It sure does to me. The very roots of rap were precisely a verbal fight between 2 opponents and organized as such in official contests and in my mind, those verbal assaults were the very first rap rhymes ever made. Some might deny him that but he did write poems. Now Ali also was a success story and a very good story-teller, you can’t deny him that. The very first ”big book” I read was Muhammad Ali very own striking autobiography”The Greatest”that was later put into a mediocre movie in which Ali played his own character (of course!). Doesn’t it sound a lot like ”8 Mile’‘ to you?? (except for the fact 8 Mile is a good movie and Eminem a good actor). The irony is that ”The Greatest” was a fake bio written by a back muslim propagandist. Ali never read it and did not like it. Bockris’ book about the champ was Ali’s favorite book. Victor gave it to him in 1975 and Ali had himself photographed with the book in the 1990s. His wife told me she was still reading the book to him in 2009! Because it is the most accurate account of his inner life and what he planned to do after he retired from boxing in 1975. The horror of the fights he was forced to fight from 1976-1981 made it especially appealing to the peace loving champion.
But first and foremost, Ali was an actor in his own life. He was an artist as a boxer, as a promoter, as a poet, as a spiritual figure, as a counterculture thinker, as a civil right champion, as a family man, as a life coach. Furthermore as you read Victor Bockris’ ”Muhammad Ali In Fighters Heaven” you are told that they were rocks painted by Ali’s father, Cassius Clay Sr., and transported by a guy named Harvey Moyer, huge rocks on the grounds of his training camp on which were painted the names of great adversaries, each of them representing a milestone in Ali’s life, installations that should be considered as conceptual art to be on the technical side of this but his skills were in every detail. These rocks meant a lot to Ali. What made Ali so inspiring is not so much what he did as how he did it and who he was, because who he was always transpired in the way he did things. Reading through ”Muhammad Ali In Fighter’s Heaven’‘, you can very well imagine how everyone around him; his family, his supporters, trainers, organisers, doctors, lawyers, etc. were all devoted and loyal to him because they loved him as a person. He was running things with love and discipline, using one or the other along the way as required by the circumstances. Always true to himself and his beliefs, as a man, as a father, as a colored man and as a muslim.
Ali saw in his birth name Cassius Clay the mark of the slavery that was a burden to his colored brothers and that is the reason that he changed his name and his faith.
On April 28, 1967, with the United States at war in Vietnam, Ali refused to be inducted into the armed forces, saying “I ain’t got no quarrel with those Vietcong.” This guy did what many thousands people promoting peace never even dared to do. This ”Black Muslim guy”, who was mistreated for as long as he can remember in his own country precisely because of the fact that he was black, said to the face of his recruiting officer that he had no intentions whatsoever to go kill another human being at the other end of the world, whom he had never met and further more who had never caused him any harm. Now it may not seem such an act of bravery but don’t forget that this young fellow still officially and originally named Cassius Clay, born and raised in Louisville, Kentucky, this Muslim Black Boxer who at age 18, won a gold medal in the light heavyweight division at the 1960 Summer Olympics in Rome and turned professional later that year, was arrested, found guilty of draft evasion charges, and stripped of his boxing titles.
He successfully appealed the decision to the U.S. Supreme Court, which overturned his conviction in 1971, by which time he had not fought for nearly four years and thereby lost a period of peak performance as a boxing athlete. Ali’s actions as a conscientious objector to the war had made him an icon for the larger counterculture generation but he definitely paid a very steep price. Those years were lost forever for him and for all of the world to see him boxing at his best even if he is still considered by many to be ”The Greatest”.
Of course the ultimate integration as a counterculture figure was Ali’s placid but unmovable resistance to go fight the Viet Nam war. And the unveiled interest Andy Warhol had towards him just confirmed the fact that Ali had become one of the greatest leading spirits of the 60’s and the 70’s. The encounter of Andy Warhol to Ali’s training camp is detailed in Bockris’ ”Muhammad Ali In Fighter’s Heaven”. A man who’s dazzling virtuosity within the prize ring was matched only by his articulate and outrageous showmanship and integrity outside it.
I can see no better ending than to leave you with a poem written by Ali himself. This one of three poems that were exclusively published in ”Muhammad Ali inFighter’s Heaven” for the first time… This one is a poem about…
Better far from all I see
To die fighting to be free
What more fitting end could be?
Better surely than in some bed
Where in broken health I’m led
Lingering until I’m dead
Better than with prayers and pleas
Or in the clutch of some disease
Wasting slowly by degrees
Better than of heart attack
Or some dose of drug I lack
Let me die by being Black
Better far that I should go
Standing here against the foe
Is the sweeter death to know
Better than the bloody stain
On some highway where I’m lain
Torn by flying glass and pain
Better calling death to come
Than to die another dumb
Muted victim in the slum
Better than of this prison rot
If there’s any choice I’ve got
Kill me here on the spot
Better far my fight to wage
Now while my blood boils with rage
Lest it cool with ancient age
Better vowing for us to die
Than to Uncle Tom and try
Making peace just to live a lie
Better now that I say my sooth
I’m gonna die demanding truth
While I’m still akin to youth
Better now than later on
Now that fear of death is gone
Never mind another dawn.
– by Muhammad Ali (January 17, 1942 – June 3, 2016). ”Muhammad Ali In Fighter’s Heaven” contains an outstanding collection of his poetry, along with his commentary on how he wrote the poems.
”Muhammad Ali In Fighter’s Heaven” also contains a complete utterly interesting chapter detailling the historic encounter that took place when Warhol went to Ali’s training camp to take pictures of the champ. Here’s a glimpse…
This post is dedicated to Ali’s children: Laila Ali, Maryum Ali, Rasheda Ali, Asaad Amin, Hana Ali, Khaliah Ali, Jamillah Ali, Mya Ali, Muhammad Ali Jr. It is dedicated as well to all the children victims of crimes against humanity or civil rights violation.
Penelope Spheeris’ documentary on the Los Angeles punk scene. Filmed between December 1979 and May 1980, featuring Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X was this was the first of aserie of 3 ”Decline movies”.
Featuring interviews, live concert footage, and a feature on how punk was transformed from a trend to a way of life, UK/DK is a comprehensive look at the skinhead/punk movement. Some of the most notorious bands on the scene are featured, including The Exploited, The Vice Squad, The Adicts and many more bands from UK.
Veteran documentary filmmaker and hipster Lech Kowalski creates this film about his friend and hard-partying rock god Johnny Thunders,member of legendary proto-punk band the New York Dolls. Through archive footage and interviews with such musicians as Dee Dee Ramone and Sylvain Sylvain, the film details his stint with the Dolls, the formation of his other band, the Heartbreakers; his rise to fame, particularly in Japan; his descent into heroin addiction, and the mysterious circumstances of his death in a New Orleans hotel room in 1991. Born to Lose: The Last Rock ‘n’ Roll Movie also contains some rarely seen concert performances in Max’s Kansas City and the Mudd Club. The photo on the poster is by photographer Marcia Resnick.
From the interviews with seminal bands in their earliest stages, D.O.A features live performances by the Sex Pistols, The Dead Boys, Generation X (with Billy Idol), The Rich Kids, the X-Ray Spex, and Sham 69, with additional music from The Clash, Iggy Pop, and Augustus Pablo to the live coverage of the first Pistols show in America, ”D.O.A: A Rite of Passage” is thus far the ONLY film to truly capture the feel, spirit and philosophy of the era. A near-comatose Sid Vicious is hilarious, as is the truly terrible, ersatz punk band Terry and The Idiots, whose leader is interviewed about the scene throughout the film. The depictions of a very bleak, “no future” England sum it all up as succinctly as the music itself.
Jubilee is a 1978 cult film by Derek Jarman heavily influenced by the 1970s punk aesthetic in its style and presentation. Shot in grainy colour, it is largely plotless and episodic. Location filming took advantage of London neighbourhoods that were economically depressed and/or still contained large amounts of rubble from the London Blitz during WWII. Unlike the others this one is really a movie, not a documentary and that is why I thought it would be interesting to include it on the list. The Plot:When Queen Elizabeth I asks her court alchemist to show her England in the future, she’s transported 400 years to a post-apocalyptic wasteland of roving girl gangs, an all-powerful media mogul, fascistic police, scattered filth, and twisted sex. With Jubilee, legendary British filmmaker Derek Jarman channeled political dissent and artistic daring into a revolutionary blend of history and fantasy, musical and cinematic experimentation, satire and anger, fashion and philosophy. With its uninhibited punk petulance and sloganeering, Jubilee brings together many cultural and musical icons of the time, including Jordan, Toyah Willcox, Little Nell, Wayne County, Adam Ant, and Brian Eno (with his first original film score), to create a genuinely unique, unforgettable vision. Ahead of its time and often frighteningly accurate in its predictions, it is a fascinating historical document and a gorgeous work of film art.
Fresh from making his cinematic debut with The Great Rock ‘n’ Roll Swindle, director Julien Temple wrote and directed this short promotional film Punk Can Take It for punk band the U.K. Subs. The promo mixed live performances—shot during the U.K. Subs’ tour to promote the single “Stranglehold”—with a comedic pastiche of Temple’s source material—a Second World War propaganda film London Can Take It, which had shown the plucky Londoners’ resilience to Germany’s bombing campaign. In Temple’s film the U.K. Subs provided the “symphony of war” while Eddie Tudor Pole and Helen Wellington-Lloyd are embattled punks fighting for victory against crass blood-sucking commercialization of the music they love. The U.K. Subs (short for “Subversives”) were among the original bands who led the British punk charge in 1976. Still performing and recording today, this film captures the Subs at an early high point in their career under the pairing of Charlie Harper (vocals) and Nicky Garratt (guitar) who created a blistering output between 1979-1982.
If you were disappointed by the shitty CBGB’s movie made a couple of years back starring Alan Rickman, then you will get a better sense of the energy, talent and musical revolution that took place at CBGB’s in the mid-1970s with this hour-long TV documentary Blitzkrieg Bop . Focussing on The Ramones, Blondie and the The Dead Boys, Blitzkrieg Bop mixes live performance with short interview clips and a racy newscast voiceover. It’s recommended viewing.
Punk: Attitude is a film by Don Letts. It explores the “punk” revolution, genre and following from its beginning in the mid-1970’s up to its effect on modern rock music and other genres. The cast is a veritable list of alternative musicians and directors offering their opinions on what has been called a musical revolution. One of the film’s celebrated attributes comes in the form of its cast, showcasing the who’s who of punk tock/alternative culture contemporaries like David Johansen, Thurston Moore, Henry Rollins, Captain Sensible, Jim Jarmusch, Mick Jones, Jello Biafra, Siouxsie Sioux, and Darryl Jenifer.
From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members ofPink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band’s complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.
Jarmusch has commented: “No other band in rock’n’roll history has rivaled The Stooges’ combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a front man who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud. There is no precedent forThe Stooges, while those inspired by them are now legion.“He added that the film “is more an ‘essay’ than a document. It’s our love letter to possibly the greatest band in rock’n’roll history, and presents their story, their influences and their impact, complete with some never-before-seen footage and photographs. Like the Stooges and their music, ‘Gimme Danger’ is a little wild, messy, emotional, funny, primitive, and sophisticated in the most unrefined way. Long live The Stooges!”
A movie by Ullie Lommel featuring Richard Hell,Andy Warhol and Carole Bouquet. Nada, a beautiful French journalist on assignment in New York, records the life and work of an up and coming punk rock star, Billy. Soon she enters into a volatile relationship with him and must decide whether to continue with it, or return to her lover, a fellow journalist trying to track down the elusive Andy Warhol. Also a 1976 documentary by the same name HEREfeaturing Patti Smith, Television, Ramones, Blondie and Richard Hell.
“Salad Days: A Decade of Punk in Washington, DC (1980-90)” is a documentary film that examines the early DIY punk scene in the Nation’s Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows—without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry’s subsequent implosion). Thirty years later, DC’s original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction. There is also an earlier documentary called ‘‘A History of DC Punk” that predates Salad Days’ overlook of the DC Punk scene.
Roxy club disc jockey Don Letts was given a Super 8 camera as a present by fashion editor Caroline Baker.When Letts started to film the acts at The Roxy, it was soon reported that he was making a movie, so Letts determined to film continuously for three months. The film features live footage of The Clash, Sex Pistols, WayneCounty & the Electric Chairs, Generation X, Slaughter and the Dogs, The Slits, Siouxsie and the Banshees, Eater, Subway Sect, X-Ray Spex, Alternative TV and Johnny Thunders and The Heartbreakers. Backstage footage of certain bands, such as Generation X, The Slits and Siouxsie and the Banshees, is also included. All live footage was shot at the Roxy, except that of the Sex Pistols, who were filmed at The Screen On The Green cinema in London on 3 April 1977. The performance was Sid Vicious’ first public concert with the band.
Danny Says is a documentary on the life and times of Danny Fields. Since 1966, Danny Fields has played a pivotal role in music and “culture” of the late 20th century: working for the Doors, Cream, Lou Reed, Nico, Judy Collins and managing groundbreaking artists like the Stooges, the MC5 and the Ramones. Danny Says follows Fields from Phi Beta Kappa whiz-kid, to Harvard Law dropout, to the Warhol Silver Factory, to Director of Publicity at Elektra Records, to “punk pioneer” and beyond. Danny’s taste and opinion, once deemed defiant and radical, has turned out to have been prescient. Danny Says is a story of marginal turning mainstream, avant garde turning prophetic, as Fields looks to the next generation. When I asked Legs McNeil what documentary I should watch, this is the one that he pointed out to me so imagine my joy when I saw it was featrured on Netflix. I’ve watched it twice in a row, and then some more…
Vince Lombardi High School continues to lose its school principles. The students are more concerned with rock ‘n’ roll than their education until the new principle, Miss Evelyn Togar is hired. She promises to set Vince Lombardi High School straight, and get the students focus back on education. However, a Ramones concert is coming to town, and Riff Randall, the biggest Ramones fan at the high school, plans on getting tickets to the concert in order to give them a song that she wrote entitled “Rock N’ Roll High School”. A series of events including Miss Togar taking away Riff’s tickets, a record burning and a taking over of the high school by Vince Lombardi High students and the Ramones, leads to a school evacuation by the police and an even more surprising ending!
Let Malcolm McLaren show you how to achieve fame and fortune by making your pop group the most despised band in the world! This film about the brief but eventful career of The Sex Pistols primarily focuses on McLaren, their manager, as he presents his ten-point program on how to achieve success through chaos, ineptitude, and abusing the music industry. Despite some remarkable footage of The Sex Pistols’ infamous Jubilee Day performance and clips from their final concert in San Francisco, there’s surprisingly little screen time devoted to the group actually performing. Instead, The Great Rock ‘n’ Roll Swindle offers McLaren’s agit-prop philosophies on music, culture, politics, and the entertainment industry, as well as an amusing (if often inaccurate) account of the band’s rise and fall. Along the way, we’re also offered some curious animated sequences, “film noir” episodes starring guitarist Steve Jones, footage of the band recording with exiled British train robber Ronnie Biggs, and Sid Vicious singing “My Way” (he had been dead for over a year by the time the movie was released). The Great Rock ‘n’ Roll Swindle began life as “Who Killed Bambi?”, a project written by Roger Ebert and directed by Russ Meyer, which closed down after two days of shooting when funding fell through. By the time McLaren and Julien Temple got it off the ground (with a radically different script), Johnny Rotten had left the group, which explains why the band’s front man is hardly in the movie. The rest of the group broke up a few months later. ~ Mark Deming, Rovi