Spiffy Custom Honda Ruckus

Ruk Studios NYC

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You could have your Honda Ruckus Honda Scooter custom made just for you. The Ruk Studio NYC team will put their craftmanship to your service and customize Honda Ruckus that are usually available to the public looking like this: 16523935_10208483086820449_408696783_o

And make it look like this:

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With a GY6 engine (1 gal =149 mi) and custom made tanks that will last twice the distance!  Tijuan Aikens wants to make this little babies customized and sold on the same spot right here in NYC! For starters, 6 models will be built, 2 of them will be customized by artist Eli Rivers and presented during the American television series BLACK INK CREW.

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Click on image for more models

Visit their website and help RUK STUDIOS NYC  build your dreambike! This obviously already has become a trend, so next summer, if you want a custom one built and sold in NYC, they can be yours for prices going from 800 to 1400$ US! RUK STUDIOS NYC needs your help to start rollin’ so go have a look at their gofundme page  for a nice kick off start!

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Questions?: go to RUK-Studios NYC

https://www.gofundme.com/NYC-RUK-STUDIOS

Vivian Maier

Streetwise ”Mary Poppins” Never Missed a Shot!

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by Tobe Damit

Vivian Maier never displayed publicly any of her pictures while she was alive but left behind a very impressive collection of photographs. She was never published and many of her negatives were never even printed while she was alive. Impressive in quantity for sure, but also in terms of quality. Vivian Maier’s photos have this ethereal but also very human quality to it,  a sense of tragedy, a sense of humanity, an eye for the details, the framing and a perfect timing, all this coupled with a dark and bizarre edge.

An American of French and Austro-Hungarian extraction, Vivian bounced between Europe and the United States before coming back to New York City in 1951. Having picked up photography just two years earlier, she would comb the streets of the Big Apple refining her artistic craft. By 1956 Vivian left the East Coast for Chicago, where she’d spend most of the rest of her life working as a caregiver. In her leisure Vivian would shoot photos that she zealously hid from the eyes of others. Taking snapshots into the late 1990′s, Maier would leave behind a body of work comprising over 100,000 negatives. Additionally Vivian’s passion for documenting extended to a series of homemade documentary films and audio recordings.

Vivian Maier was a very secretive, mysterious person and if John Maloof wouldn’t have gambled 400$ at an auction, buying a full box of negatives without even looking at them first, nobody would have gotten the chance to see the amazing pictures that gained this unconditional sympathy Vivian seems to be getting from a constantly growing number of admirers. Trusting his gut instinct about this woman who had now passed away, leaving behind her a huge trail of clues (she was a pack rat!) that would be very helpful for anyone who would try to know as much as you can possibly know about a person who is now deceased, Maloof proceeded to not only connect the dots about her life but also, and maybe more importantly, to have her works revealed to the public. With the help of a few people, he started to devote his life to this arduous and challenging task: put the name Vivian Maier in history books. This article is my way of helping him to do exactly that because I truly think that’s where her name belongs. I want her to have the posthumous love and recognition she never had during her life.

Now there is a documentary about her written and directed by
John Maloof and Charlie Siskel, books and numerous exhibitions and events occuring all around the world as we speak but much of the art world establishment still hasn’t accepted Vivian Maier’ work. She didn’t defend herself as an artist, she just did the work and it’s so good that it’s winning over people who were dismissive of it previously and fortunately people aren’t waiting for that kind of validation anyway. They don’t care and they are already claiming Vivian’s work for themselves and her work can now be seen around the world. 

‘Nuf said, here are a few pictures I chose, a very small part of the very legacy Vivian Maier left behind for us.  You can also watch for free the documentary called ”Finding Vivian Maier” that reveals the incredible story of this mysterious nanny, who loved taking pictures.  But let’s have a look at the pictures first.

September 24, 1959, New York, NY
September 24, 1959, New York, NY
August 16, 1956, Chicago, IL
August 16, 1956, Chicago, IL
Emmett Kelly as the clown figure "Weary Willie", Undated
Emmett Kelly as the clown figure “Weary Willie”, Undated
March 1954. New York, NY
March 1954. New York, NY
August 12, 1954, New York, NY
August 12, 1954, New York, NY
Undated, Canada
Undated, Canada
1959, Grenoble, France
1959, Grenoble, France
Christmas Eve 1953, East 78th Street & 3rd Avenue, New York, NY
Christmas Eve 1953, East 78th Street & 3rd Avenue, New York, NY
1961
June 25, 1961
Undated
Undated
May 5, 1955. New York, NY
May 5, 1955. New York, NY
Armenian woman fighting on East 86th Street, September, 1956, New York, NY
Armenian woman fighting on East 86th Street, September, 1956, New York, NY
Undated, New York, NY
Undated, New York, NY
April 19, 1971. Chicago, IL
April 19, 1971. Chicago, IL
May 1953, New York, NY
May 1953, New York, NY
January, 1953, New York, NY
January, 1953, New York, NY
Audrey Hepburn at the Chicago premiere of "My Fair Lady" at the RKO Palace Theater. October 23, 1964
Audrey Hepburn at Chicago premiere of “My Fair Lady”, RKO Palace Theater. October 23, 1964
August 22, 1956. Chicago, IL
August 22, 1956. Chicago, IL
December 2, 1954, New York, NY
December 2, 1954, New York, NY
May 16, 1957. Chicago, IL
May 16, 1957. Chicago, IL
FINDING VIVIAN MAIER - 2014 FILM STILL - Woman at the NY Public Library still - Photo Credit: Vivian Maier/Maloof Collection
Woman at NY Public Library
January 9, 1957, Florida
January 9, 1957, Florida

All photos credits Vivian Maier/ John Maloof Collection

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Click and Watch”Finding Vivian Maier”

ROCK’N’ROLL HELLHOLE

NY77: The Coolest Year in Hell

Here’s the whole beautiful mess:

A terrific documentary that captures a pivotal moment in the history of a city and its pop culture.

by Marc Campbell

Punk, disco, hip hop, the blackout, Son of Sam, Tony Manero, CBGB, Studio 54, Max’s Kansas City, Show World, Paradise Garage, cocaine, polyester and leather—1977 in New York City was exhilarating, a nightmare, fun, dangerous and never boring. It was the year I arrived in downtown Manhattan with a beautiful woman, no money and a rock and roll band. I hit the streets running and never looked back…unless it was to watch my back.Blackout

I was living in the decaying Hotel Earle in the West Village when NYC went black. The power failure of July 13, 1977 knocked the city to its knees. I was sitting on the window sill of my room keeping cool or as cool as one could keep during a sweltering summer night in the city. I was drinking a nice cold beer and listening to the music of the streets when at around 9:30 p.m. everything suddenly went completely dark…and I mean dark, dark as Aleister Crowley’s asshole. It was the strangest fucking thing you could imagine. One moment the city was there, then next it was gone. The only illumination came from automobile headlights lacerating the night like ghostly Ginsu knives. My girlfriend and I clutched hands and felt our way down the stairs and out onto the sidewalk. We walked to Bleecker street in spooky darkness. We weren’t alone. The avenues were teeming with the dazed and confused. Not that unusual for the Village, but the confusion was different. Was the world coming to an end? disco fever

By midnight the streets where mobbed with people who had figured out that civilization wasn’t ending, it was on vacation. There was a festive vibe in the air. It was like Mardi Gras for the blind. The bars and pubs that stayed open were candlelit and booze was flowing for free. Refrigerators weren’t working and there was no way to keep perishables from spoiling so instead of facing the prospect of throwing food away some joints were feeding people for free. A few cabbies got into the spirit of things and maneuvered their taxis in such a way as to shine their headlights into the cafes providing diners with surreal mood lighting. It was a prison break theme park. And this wild night was bringing out the best in New Yorkers. But it didn’t last. As the blackout continued through the next day and night, things started to change. The novelty of the crisis wore off and it got ugly. What had started out as a party turned into looting and violence. An unexpected payday for the poor and desperate.

The blackout put the whole gamut of what makes New York marvelous and miserable on display: the “I got your back, brother” slamming into the “fuck you!”ra1

These were times when the city was an unseemly beast, a scabrous, moulting fat rat that was exciting to look at but terrifying. Part of the excitement came from the ever-present sense that things could go haywire at any minute. I lived intensely in the moment, acutely aware of everything around me, jacked up in a state of heightened consciousness that was both Zen and manic. Being in the here and now of New York City in 1977 wasn’t a hippie thing, it was survival. And when I got inside the safety zone of Max’s or CBGB, among my tribe, I was ready to get fucked up, to get high, to dance and celebrate.

In the city of night, we went to bed at dawn and rose at dusk. We were vampirebefore vampires became hip.

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Click for original post

RUSSIAN CRIMINAL TATTOO

Prison Storytelling, Subcultural Anthropology and the Allure of Darkness. 

by

In the 1970’s, while American hippies were busy inking themselves with peace signs and psychedelic rainbows, Danzig Baldayev, a guard at St. Petersburg’s notorious Kresty Prison, began documenting the far less Woodstockian body art of Russia’s most infamous criminals.

For 33 years, Baldayev used his exclusive access to and rapport with the prisoners to hand-illustrate and capture in artful photographs more than 3,600 inmate tattoos — as admirable a feat artistically as it was sociologically.

In 2003, when he was in his late 70’s, Baldayev began releasing his magnificent archive as a series of books revealing a rich and eerie intersection of art and violence.

Russian Criminal Tattoo Encyclopaedia Volumes I, IIand III offer not only a visceral record of this intersection, but also Baldayev’s aambitious effort to, through text and illustrations, parse the meaning of these tattoos and place them in the context of this fiercely self-contained subculture. (Or, as it were, institution-contained as well.)

Perhaps even more striking than the body art itself is how Baldayev was able to talk some of Russia’s most dangerous convicts into posing for such intimate and often vulnerable portraits, an intimacy also seen in the work of Canadian photographer Donald Weber:

For a related glimpse of this darkly enigmatic world, the excellent Oscar-nominated 2007 film Eastern Promises about the Russian mob in London, starring Naomi Watts and Viggo Mortensen, offers an intriguing look at tattoos as storytelling, a narrative through which prisoners told their life stories and conveyed their credos.

Each of the volumes is an absolute masterpiece and a fascinating slice of subcultural anthropology. It’s the kind of thing that adds instant conversation potential to any home library or coffee table, and guaranteed you’re-cooler-than-my-other-friends gifting recognition.

Some images by Donald Weber

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Spooky ’20s Crime Scene Shots 

New-York City 1920’s

Homicide #1732 PTL. John Flood July 3, 1917
Homicide #1732 PTL. John Flood July 3, 1917

If you enjoyed the Weegee exhibit at the International Center for Photography you’ll probably like gawking at these grisly (and we MEAN grisly: some are 100% NSFWcrime scene photos that we found in the city’s municipal archives.

Most of the pictures in the archive have little backstory, and the captions have been reprinted verbatim. One constant in many of these pictures is the police tripod that gets the overhead shots. Don’t you just miss the days when most people seemed to get murdered in bed? If this is all too much for you, check out these old photos of places people used to eat at—if you haven’t spoiled your appetite.

SANTA MUERTE

GardiansPRAYER OF THE HOLY DEATHGardians

Lord, before Your Divine Presence God Almighty,
Father, Son and Holy Spirit,
I ask for your permission to invoke the Holy Death.
My White daughter.
I want to humbly ask, that you break and destroy
all spells and darkness that may present itself before my persona,
in my home, and on my path.
Paragraph 
Holy Death, please relieve me of all envy,
poverty, hate, and unemployment
and I ask that you please grant me________________.
Paragraph 
Enlighten, with your holy presence, my home,
my work and those of my loved ones,
award us love, prosperity, health and wellbeing,
blessed and praised by your charity Holy Death.
Paragraph 
Lord, I give you infinite thanks,
because I see your charity through your tests, which are perfecting my spirit.
Lord I give you thanks, because in the midst of these tests,
I will have you Holy Blessing.
Amen…
Pray you never receive a love letter from Her...Never. 
Pray you never receive a love letter from Her…Never.

Hijacked by Street Art

Abandoned Parisian Nightclub 

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The site of a stunning 1885-era Parisian municipal bathhouse, HOME to the previous Les Bains Douches Nightclub, is now set to be revamped into a Luxury Boutique Hotel. Earlier this year, a group of 50 Art practitioners filled it up with their own art, creating their very own pop up art gallery from it. streetartchildren00

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Built as a municipal bathhouse in the late 19th century, Les Bains-Douches would eventually become one of the hottest Night Clubs in Paris known simply as Les Bains, a destination for the likes of Kate Moss, Mick Jagger, Johnny Depp and even Andy Warhol. Due to some faulty construction in 2010 the building was declared a safety hazard and is now slated for complete RENOVATION in just a few days to pave way for La Société des Bains, a new space that will open in 2014. In the meantime, owner Jean-Pierre Marois turned over the building to 50 street artists commissioned by Magda Danysz Gallery who have been working since January to turn the decaying building into an  endless canvas of amazing Artwork.

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ZÏLON NOWAVE

Backstreet Cocteau Montreal Urban Style

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Dark alleys were the first to be marked with Zïlon’s poetic signature. Dubbed « The Backstreet Cocteau » (ref to French  poet, filmmaker, artist Jean Cocteau), he was one of Montreal’s key figures during the 80’s punk and underground movement.  I decided to display here only his work in Black and White… But let’s start with a few drawings/paintings by Jean Cocteau…

”Life is a horizontal Fall”-COCTEAU

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Click to watch for free Orphéus (1950)

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Click to see Beauty and the Beast

Now/Ave Zïlon! 6a00d834525e1869e2011570d9fade970b-800wi

 

 

zILON NOWAVE

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ZILON DARK

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 zILON lIPS

zILON BUSINESS
The Business Bar


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Click for post about No Entry

Plz Do Visit His Page!!     

Zilon Punk Til You Die
Click on image to see more of Zilon

ZÏLON N0 ENTRY

Depanneur (Fear) Closed 24/24 Hours/

7/7 Days/Week FOREVER (NO ENTRY MIX)

Zilon
(No ENTRY MIX) – ZÏLON 2014

Images of ZÏLON at the Montréal Mural Festival  ( Landmark ) of  / Mural an abandoned building (which one day will be destroyed to make place for one of those beautiful but sterile condos) / Photos: ZÏLON , G.A. De Homa and Stephanie Allaire ”The building is located at the corner of St-Dominique & Marie – Anne street, Montreal. It was all done using spray paint in 2 jours with the assistance of my Lift technician (Spirit in the Sky) Daniel Duhamel. Thanks to all for your cheers and praise!!  It most definitely shows I am very well ALIVE!!! (57 going 58 and still alive and kicking!!) . Cheers et to all the envious well TUFF LUCK MOTHERFUCKERS !!! .”  Z xx

Toile blanche
White Canvas
Tout a un début...
It’s a Start…
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Going on and on and on..
Zilon Conception
Zilon Conception

 

Grille
Taking Shape.

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No Entry 24/24
No Entry 24/24
Eyes and Faces Watching YOU!
Perdre le fil...
Losing the Thread…

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Fermé 7/7
Closed 24 Hours Forever
GOD inc.

 

Welcome to my World/Nightmare
Welcome to my World/Nightmare

CBGB’s 70’s Punk Scene by Godlis

1976-1978

CBGB’s House photographer

David Godlis was eyewitness to the 1970s New York punk scene. Here’s a very small sample of what you can find i his photo souvenir book on the CBGB with an intro by Jim Jarmusch who just did a documentary about The Stooges ”Gimme Danger”.

"The long view across Bowery that fabulous summer of 77" godlis,1977)
“The long view across Bowery that fabulous summer of 77” (Godlis,1977)
2. The club’s owner, Hilly Kristal, stands outside among the crowd waiting to get in (1977).
Hilly Kristal, Bowery. “Hilly overseeing his Bowery kingdom. It was essential that I had a good shot of him. But back then when I showed people this photo they would ask why I had a photo of this bearded guy in a flannel shirt mixed in with my pictures of punks on the Bowery. Now everyone knows. Without Hilly, I wouldn’t have any of these photos.” (Godlis, 1977)
3. Patti Smith, one of the first artists booked to play the club when it opened, arriving (1976).
Patti Smith, one of the first artists booked to play the club when it opened, arriving (Godlis,1976)
4. Sylvia Morales (who would go on to marry Lou Reed) and downtown scenester Mudd Club co-founder Anya Phillips strike a pose (1977).
Sylvia Morales (who would go on to marry Lou Reed) and downtown scenester/ Mudd Club co-founder Anya Phillips strike a pose (Godlis,1977)
Roberta Bayley, Mary Harron, John Holmstrom, CBGB. "All three were essential at the classic Punk Magazine. Roberta Bayley shot the cover of the first Ramones album and also worked the front desk at CBGB’s, Mary Harron did the first U.S. piece on the Sex Pistols for Punk and later directed many films including American Psycho, and John Holmstrom founded Punk magazine and still runs the punk empire online."(Godlis,1977)
Roberta Bayley, Mary Harron, John Holmstrom, CBGB. “All three were essential at the classic Punk Magazine. Roberta Bayley shot the cover of the first Ramones album and also worked the front desk at CBGB’s, Mary Harron did the first U.S. piece on the Sex Pistols for Punk and later directed many films including American Psycho, and John Holmstrom founded Punk magazine and still runs the punk empire online.”(Godlis,1977)
5. Garage punk band The Cramps standing outside the club (1977).
Psychobilly/Garage punk band The Cramps (Goldis,1977)
6. Music journalist Lester Bangs (1977).
Lester Bangs, CBGB. “Music journalist Lester Bangs brought his pen and typewriter to NYC to report on what was going on down on the Bowery. Here shown wearing a Punk Magazine T-shirt. (Godlis,1977)
7. Singer-songwriter Alex Chilton (1977).
Singer-songwriter Alex Chilton, Bowery. “Alex was a big photography fan, photographer William Eggleston being a family friend in Memphis. So we tried shooting this out on the Bowery median strip, getting very lucky when a drop of rain landed on the lens transforming this shot from pretty good to iconic. Used as the cover for his independent 45 ‘Bangkok,’ an outtake of this session is the cover of the recent biography ‘A Man Called Destruction,’ by Holly George-Warren.”(Godlis,1977)
Klaus Nomi, Christopher Parker, Jim Jarmusch, Bowery. "I knew Jim Jarmusch through a mutual friend studying film with him at NYU, and he was hanging out at CBGB's. Christopher Parker was in Jim’s first film 'Permanent Vacation.' And Klaus Nomi, was just getting ready to shine over at Club 57 in the next year or so.''(Godlis,1978)
Klaus Nomi, Christopher Parker, Jim Jarmusch, Bowery. “I knew Jim Jarmusch through a mutual friend studying film with him at NYU, and he was hanging out at CBGB’s. Christopher Parker was in Jim’s first film ‘Permanent Vacation.’ And Klaus Nomi, was just getting ready to shine over at Club 57 in the next year or so.”(Godlis,1978)
8. Patti Smith performing with the Patti Smith Group (1977).
Patti Smith performing with the Patti Smith Group (Godlis,1977)
9. Punk innovator Richard Hell performing (1978).
Punk innovator Richard Hell performing (Godlis,1978)
Richard Hell, Bowery, ''Around 3 a.m., I caught Richard exiting CBGB before catching a cab in the Bowery rain'' (Godlis 1977)
Richard Hell, Bowery, ”Around 3 a.m., I caught Richard exiting CBGB before catching a cab in the Bowery rain” (Godlis 1977)
10. The infamous bathroom stalls (1976).
CBGB’s Bathroom “The Metropolitan Museum of Art used this photo to recreate the legendary CBGB bathroom for their ‘Punk Couture’ show last year. That’s one way to get into the Met, I guess.”(Godlis,1976)
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Punk magazine co-founder Legs McNeil enjoying (?) a drink (Godlis, 1978)
12. The Talking Heads performing (1977).
Talking Heads, CBGB. “This was the first time they played CBGB as a foursome, after adding Jerry Harrison (formerly with the Modern Lovers). They used to do a great cover of 1910 Fruitgum Company’s ‘123 Red Light.’ It’s on YouTube.”(Godlis,1977)
13. Blondie performing (1977).
Blondie, CBGB. “Another view from the side of the stage. Debbie Harry with Chris Stein on slide guitar doing a cover of ‘Little Red Rooster’ at the Punk Magazine Benefit show.” (Godlis,1977)
14. Richard Manitoba, lead singer of the Dictators, and a friend stand beneath the awning of the club.
Dictators, Bowery. “I photographed ‘Handsome Dick’ Manitoba and his girlfriend Jody under the awning to thank him for returning my lost wallet. Considering that I used to have to explain to people what the letters CBGB OMFUG* meant every time I’d show this picture, I never could have imagined that CBGB would someday grace iconic T-shirts worldwide.” (Godlis.1976)
15. No wavers (which was a short-lived subculture for people who rejected the new wave musicart movement), waiting outside the club (1978).
No Wave Punks, Bowery. “I think it was Terry Ork who came up with the idea to name the next thing after New Wave, No Wave. All participants in this scene, here hanging right outside the club are Harold Paris, Kristian Hoffman, Diego Cortez, Anya Philips, Lydia Lunch, James Chance, Jim Sclavunos, Bradley Field and Liz Seidman. Well actually, Harold Paris was not a participant, but he was a best friend of Thurston Moore who once told me he should have been in this photo instead. He was probably standing right next to me when I took it, and his Volkswagen can be seen parked in the background.” (Godlis, 1978)
16. Dee Dee and Joey of the Ramones arriving at the club (1977).
Dee Dee and Joey Ramone, Bowery. “Dee Dee once told me that he chose this for the cover of his book “Poison Heart – Surviving The Ramones”, because he remembered this as a ‘really good night.’ I like that reason.” (Godlis,1977)
The Ramones, who are arguably one of the artists most closely associated with the CBGB, performing (Godlis,1977)
The Ramones, who are arguably one of the artists most closely associated with the CBGB, performing (Godlis,1977)
Ramones, CBGB. "I love that Joey Ramone is holding up the 'Gabba Gabba Hey' sign himself, before they started bringing Zippy onstage to hold it during 'Pinhead.''(Godlis,1977)
Ramones, CBGB. “I love that Joey Ramone is holding up the ‘Gabba Gabba Hey’ sign himself, before they started bringing Zippy onstage to hold it during ‘Pinhead.”(Godlis,1977)
CBGB Interior at Closing Time. "Walking out of the club at 4 a.m., it all looked so romantic to me." (Godlis,1977)
CBGB Interior at Closing Time. “Walking out of the club at 4 a.m., it all looked so romantic to me.” (Godlis,1977)
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Garbage Truck, Bowery 4 a.m. “And here’s what it looked like out on Bowery after closing when the Garbage Trucks ruled the NYC streets. They still do.” (Godlis,1977)

10 Ramones Clips You Need To Watch!

ramonesJust click on pic for the clips!

When you boo the Ramones, you are booing rock’n’roll”; So said Supersuckers’ frontman Eddie Spaghetti. They could be the truest words ever uttered. Tommy Ramone, who died Friday on July 11th 2014 at the age of 65, was the band’s first official drummer and the cool, streetwise rogue in the shrunken black T-shirt and oversized shades staring out from the cover of that 29-minute-sprint-to-the-finish first album. An original member of the band, Tommy’s tenure in the group would last until 1978. During that time he played on arguably their three greatest records (RamonesLeave Home and Rocket To Russia), co-producing each and underpinning the songs with a high-energy, no-frills style that combined with Johnny Ramone’s buzzsaw guitar to propel their music to thrillingly unhinged heights. And if proof were needed of the NY punk icons’ foundation status in rock’s edifice, one need only survey the video evidence corralled below. Strap yourself in, and prepare to break the sound barrier with the Ramones Mark I at their very, very best.

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Click!

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