John Lennon

A Visual Narrative

In 1969, a 14-year-old Beatle fanatic named Jerry Levitan, armed with a reel-to-reel tape deck, snuck into John Lennon’s hotel room in Toronto and convinced John to do an interview about peace. 38 years later, Jerry has produced a film about it. Using the original interview recording as the soundtrack, director Josh Raskin has woven a visual narrative which tenderly romances Lennon’s every word in a cascading flood of multipronged animation. Raskin marries the terrifyingly genius pen work of James Braithwaite with masterful digital illustration by Alex Kurina, resulting in a spell-binding vessel for Lennon’s boundless wit, and timeless message. ”I Met the Walrus” was nominated for the 2008 Academy Award for Animated Short and won the 2009 Emmy for ‘New Approaches’ (making it the first film to win an Emmy on behalf of the internet).

I Met the Walrus!!

 Actors: Jerry Levitan, John Lennon

Director: Josh Raskin

Producer: Jerry Levitan

Scenario: Josh Rankin

Release Date: 2007

Bukowski Uncensored

I’m Such a Spoiled Old Toad!

In 1993, candid conversations between Charles Bukowski, his wife, and his producer took place in Bukowski’s home during the recording session for his classic Run With the Hunted.

We brought the outtakes to life for HarperCollins.

Animation by Drew Christie  & harperaudioclassics.com

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Sas Christian

An Emotional Response

”If you have a creative impulse, whether it be art, music, writing, theater, cooking, whatever — express it. Don’t let you own hang-ups, caution, fear of failure or ridicule stop you…!”

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She worked in a department store, at a commercial art studio and a PIP printing (where she quit on her first day, before lunch)! It was around this time that she first saw an issue of Juxtapoz with a cover by Mark Ryden – and was struck. The urge to paint was growing, but she lacked the knowledge and confidence to do anything about it. It seemed so complicated. Her very early attempts were very graphic, comic book style. Hard colors. ”

”Jam Sandwich” was the first layered painting she produced, and is the only one of her pieces that she will keep.

National Health
National Health

Her original inspirations relied heavily on anime, Tamara De Lempicka , and Mark Ryden. She loved the creative expression of the Harajuku kids in Tokyo. They filled her with such hope and excitement. Originally the intention of her paintings was just about creating a strong image, purely visual. She wanted to impart a modern tongue-in-cheek humor, incorporating her experiences. Contemporary, ballsy, flirty, weepy girls; punk, catholic, no-nonsense, damaged but not broken girls. Funny, intelligent, unusual, independent, odd ball, outsiders. Lovely. Even though her work have often been associated with Margaret Keane ”Big Eyes” paintings but believes the two of them are very different in essence.

The next logical step for her was to move into oils. With no formal fine art training whatsoever, and no knowledge of art history and even less of art technique it seemed like the most complicated thing in the world — fat over lean? What the hell did that mean? So, in 2003 she bought a book off the Internet “How to Paint with Oils.” she decided to give it a go, and has never looked back. Oils have a whole new set of rules.

Angel of Vengeance
Angel of Vengeance

As time goes on she finds herself relying less on the narrative and more on the emotive. She hopes that her work can connect with people on different levels. She is trying to harness a single moment in time, an emotional response, seemingly insignificant gesture that can mean so much.

Takes a Lickin'
Takes a Lickin’
Sun Stroke
Sun Stroke
Looking In
Looking In
Karma Killer
Karma Killer
Good Morning Sunshine
Good Morning Sunshine
Fast Forward
Fast Forward
Easter Bonnet
Easter Bonnet
Crash
Crash
Colette
Colette
Cold Front
Cold Front
Candyland
Candyland

Wild Cards – CYBERPUNK

The Origins

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Now remember this is just some unsorted links related in some way to the roots of what was to become cyberpunk. Motorhead was the first band to reunite punks and headbangers. The term heavy metal‘ first appears in print in William Burroughs’ 1962 novel The Soft Machine. His character Uranian Willy is described as “the Heavy Metal Kid”. Burroughs later re-used the term in his 1964 novel Nova Express:

“With their diseases and orgasm drugs and their sexless parasite life forms – Heavy Metal People of Uranus wrapped in cool blue mist of vaporized bank notes – And the Insect People of Minraud with metal music.”

The term ‘heavy metal’ was used in a musical context in the title of a 1967 album by the British avant-garde outfit Hapshash and the Coloured Coat – Featuring The Human Host And The Heavy Metal Kids. The title wasn’t applied to a particular musical style and appears to have been a reference to the ‘kids’ in Burroughs’ novel, a novel that one would most would most likely classify as a sci-fi book. So I can assume that the roots of cyberpunk were bound to come from heavy metal, heavy metal that would refer to some kind of Apocalypse or some kind of world existing in the Aftermath instead of the usual satanic inspiration which is precisely what Voivod was about to do. Maybe not for the first time but they were most certainly the first to make it their main theme for every album. I have very much respect for a band like Voivod who have created their very own style. Sci-Fi Tribe themes, progressive heavy-metal music, a band that was very respected by all, some people might remember that Jason Newstead left Metallica to join Voivod. Away, Piggy, Blacky and Snake were the real pioneers of cyberpunk, even though a lot of people never heard about them and most young heavy metal fans never heard about them nor care about them. I have also thrown on here some graphic novel artists who made sci-fi more than just sci-fi and turn it into what we would call today cyberpunk. This post is just that, unsorted links and hints of what I think is related in one way or another to the roots of cyberpunk, wild cards thrown at you so that you can do your own research on the subject and you may come up with entirely different stuff that are related to the birth of the underground culture of cyberpunk. You are more than welcome to post those in your comments. I know very well some books are very much responsable for the birth of cyberpunk. I just chose more lively sources. I also know that what people call cyber punk music have little to do with the music I posted but yet it still has everything to do with it since it was the birth of an idea that would follow its own path and transform and adapt but never died. I hope you enjoy flipping to this deck of wild cards. There will be more to come on other subjects and maybe some more on the same subject…

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VOIVOD – Kluskap O’ Kom

VOIVOD – Tribal Convictions

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VOIVOD – Target Earth

THE AKIRA PROJECT

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Motorhead – The Game

Motörhead – Brave New World

Motorhead – Orgasmatron

Barbarella

Lobo. Banned from Heaven and Hell.

Hard Boiled

by Frank Miller and Geoff Darrow

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Druillet – Lone Sloane Delirius

MOEBIUS

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Blade Runner – Ridley Scott

Enki Bilal – Immortal

New York City, year 2095. A floating pyramid has emerged in the skies above Manhattan, inhabited by ancient Egyptian Gods. They have cast judgement down upon Horus (a falcon headed god), one of their own. With only seven days to preserve his immortality, he must find a human host body to inhabit, and search for a mate. In the city below, a beautiful young woman, Jill, with blue hair, blue tears and a power even unknown to her, wanders the city in search of her identity aided by a doctor who is fascinated by this mystery of nature. Reality in this world has a whole new meaning as bodies, voices and memories converge with Gods, mutants, mortals and extra terrestrials. Stunning visual effects meld with the poetic surrealism of comic-book creator Enki Bilal’s fantastic epic story. A ground-breaking step into the future of film-making.

Anime Sketched by Dali for Disney

Dali & Disney – Destino

The film tells the story of Chronos, the personification of time and the inability to realize his desire to love for a mortal. The scenes blend a series of surreal paintings of Dali with dancing and metamorphosis. The target production began in 1945, 58 years before its completion and was a collaboration between Walt Disney and the Spanish surrealist painter, Salvador Dalí. Salvador Dali and Walt Disney Destiny was produced by Dali and John Hench for 8 months between 1945 and 1946. Dali, at the time, Hench described as a “ghostly figure” who knew better than Dali or the secrets of the Disney film. For some time, the project remained a secret. The work of painter Salvador Dali was to prepare a six-minute sequence combining animation with live dancers and special effects for a movie in the same format of “Fantasia.” Dali in the studio working on The Disney characters are fighting against time, the giant sundial that emerges from the great stone face of Jupiter and that determines the fate of all human novels. Dalí and Hench were creating a new animation technique, the cinematic equivalent of “paranoid critique” of Dali. Method inspired by the work of Freud on the subconscious and the inclusion of hidden and double images.

Dalí said: “Entertainment highlights the art, its possibilities are endless.” The plot of the film was described by. Dalí as “A magical display of the problem of life in the labyrinth of time.”

Walt Disney said it was “A simple story about a young girl in search of true love.”

 PS: You get a better view with green/red 3D viewing device (glasses) on a split screen. Available on youtube easily.