Debbie Harry in ”51” Magazine

”51”  was a magazine that was based on the idea that New York City should be the fifty-first state of the US.  This is article written by Debbie Harry, was taken from the bio Making Tracks/The Rise of Blondie published by Da Capo Press. I chose to immortalise this article  on the net since it’s almost impossible to get it from its original source and it really represents how things could be seen from the inside, by those who were part of this legendary era. It an honest, lucid look on how that particular scene was evolving coming from of an artist whose band Blondie was on its way to achieve international stardom. All the pictures were added by me. I hope they are helping setting the tone. -Tobe Damit

”51” Magazine, NYC, Late Summer of 1975

I walked into CBGB’s last Friday night at 2 a.m. The Bowery was thick with late night pollution and smog, a sea of sleeping winos, and broken glass.

The neglected denizens of the Bowery. The men of the Bower were largely neglected until the 1990s when the city began to clean up its homeless problems and workers made an effort to get them into shelters. ©Photo by Leland Bobbé, 1975 

Dee Dee Ramone spotted me through a Heineken Haze and slithered up wearing an electric purple pimp suit, a Jay’s T-shirt, ragged basketball sneakers and mirror shades.   

Swaying slightly, he whispered in my ear, Oh Debbie, we just got signed; we’re supposed to be going on tour. I smiled. I wondered: Will Success Spoil… Dee Dee is bass player to The Ramones, consummate, awesome, punk rockers extraordinaire. The handsomest of the group, Dee Dee resembles Marcello Mastroianni or Steve Canyon, speaks German (born Berlin), was a highly paid hairdresser for a while, is very charming, handsome and childlike.

Dee Dee and Tommy Ramone photographed by ©Adrian Boot

The Next day was ninety-seven degrees and I ran into Tommy Ramone, drummer and leader of the band, in front of Arthur Treacher’s on Sixth Avenue. Tommy, I heard you got signed, I quipped. He flashed me his disgusted look, Yeah, we got signed to the space program, three sets a night on the nest moon shot. I didn’t take it any further; it was very hot.

     But for a few exceptions the NYC rock scene is built on dreams and fantasy. Dreams of love and power, of polite fascism and opulent anarchy: the have and have-nots; EEE, erotism, eccentricity, and eclecticism.  It is more than fitting than that scene has filtered down to one tiny club on the Bowery. The expensive thoughts of all concerned could never have been contained in anything larger or more plush. (Except for Sunday evenings with the Miamis at Broadway Charlie’s, Miamis are not too tight with the manager of CBGB’s.)

Last picture of Miami Showband Summer of 1975. Tony Geraghty Fran O’Toole, Ray Millar, Des Lee, Brian McCoy and Steve Travers

 The rock and roll sub-culture coexists easily with the wraith-like alkies; the angry young black men; with the emptiness and ruin of America’s attics, basements, and secret corners. Places where the out takes and out casts collect. Poverty Marches On… What the Hell: a bass player (now with the Heartbreakers) with so much sex appeal it could lead anyone, male of female into groupiedom, revolution be damned.

Johnny Thunders (L) and Richard Hell

     As I hinted at, an occasional glimpse of success is not uncommon here at CBGB’S house bar. Last Thursday played host to the magnificent men of Kiss, playing homage to their old friends the Harlots of 42nd Street, who were doing their best to entertain the natives. Other notable drop-ins were Mick Ronson (ohh) and Ian Hunter (ahhh) who surprised everyone no end, including the Fast who promptly set up and played a second hot set on an otherwise dead night at the rock palace.

The Harlots of 42nd Street

     A few of the Bowery denizen have succeeded in related fields. Fayette Hauser, Gorilla Rose and Tomata du Plenty, who are behind the scenes Hollywood writers for the new nationally broadcast Manhattan Transfer TV show. I do mean behind the scenes they’re still in NYC, but word has it that they’ll be getting some fresh OJ off their own tree within the month.

Click!

     Just One More Thing . . . The great tower of power moloch Mainman is closing up shop. Mainman produced some fabulous shows like Wayne County at the Trucks, FAME, and Bowie, so much for EEE. 

-Debbie Harry, Late Summer of 1975

 

 

CBGB’s 70’s Punk Scene by Godlis

1976-1978

CBGB’s House photographer

David Godlis was eyewitness to the 1970s New York punk scene. Here’s a very small sample of what you can find i his photo souvenir book on the CBGB with an intro by Jim Jarmusch who just did a documentary about The Stooges ”Gimme Danger”.

"The long view across Bowery that fabulous summer of 77" godlis,1977)
“The long view across Bowery that fabulous summer of 77” (Godlis,1977)
2. The club’s owner, Hilly Kristal, stands outside among the crowd waiting to get in (1977).
Hilly Kristal, Bowery. “Hilly overseeing his Bowery kingdom. It was essential that I had a good shot of him. But back then when I showed people this photo they would ask why I had a photo of this bearded guy in a flannel shirt mixed in with my pictures of punks on the Bowery. Now everyone knows. Without Hilly, I wouldn’t have any of these photos.” (Godlis, 1977)
3. Patti Smith, one of the first artists booked to play the club when it opened, arriving (1976).
Patti Smith, one of the first artists booked to play the club when it opened, arriving (Godlis,1976)
4. Sylvia Morales (who would go on to marry Lou Reed) and downtown scenester Mudd Club co-founder Anya Phillips strike a pose (1977).
Sylvia Morales (who would go on to marry Lou Reed) and downtown scenester/ Mudd Club co-founder Anya Phillips strike a pose (Godlis,1977)
Roberta Bayley, Mary Harron, John Holmstrom, CBGB. "All three were essential at the classic Punk Magazine. Roberta Bayley shot the cover of the first Ramones album and also worked the front desk at CBGB’s, Mary Harron did the first U.S. piece on the Sex Pistols for Punk and later directed many films including American Psycho, and John Holmstrom founded Punk magazine and still runs the punk empire online."(Godlis,1977)
Roberta Bayley, Mary Harron, John Holmstrom, CBGB. “All three were essential at the classic Punk Magazine. Roberta Bayley shot the cover of the first Ramones album and also worked the front desk at CBGB’s, Mary Harron did the first U.S. piece on the Sex Pistols for Punk and later directed many films including American Psycho, and John Holmstrom founded Punk magazine and still runs the punk empire online.”(Godlis,1977)
5. Garage punk band The Cramps standing outside the club (1977).
Psychobilly/Garage punk band The Cramps (Goldis,1977)
6. Music journalist Lester Bangs (1977).
Lester Bangs, CBGB. “Music journalist Lester Bangs brought his pen and typewriter to NYC to report on what was going on down on the Bowery. Here shown wearing a Punk Magazine T-shirt. (Godlis,1977)
7. Singer-songwriter Alex Chilton (1977).
Singer-songwriter Alex Chilton, Bowery. “Alex was a big photography fan, photographer William Eggleston being a family friend in Memphis. So we tried shooting this out on the Bowery median strip, getting very lucky when a drop of rain landed on the lens transforming this shot from pretty good to iconic. Used as the cover for his independent 45 ‘Bangkok,’ an outtake of this session is the cover of the recent biography ‘A Man Called Destruction,’ by Holly George-Warren.”(Godlis,1977)
Klaus Nomi, Christopher Parker, Jim Jarmusch, Bowery. "I knew Jim Jarmusch through a mutual friend studying film with him at NYU, and he was hanging out at CBGB's. Christopher Parker was in Jim’s first film 'Permanent Vacation.' And Klaus Nomi, was just getting ready to shine over at Club 57 in the next year or so.''(Godlis,1978)
Klaus Nomi, Christopher Parker, Jim Jarmusch, Bowery. “I knew Jim Jarmusch through a mutual friend studying film with him at NYU, and he was hanging out at CBGB’s. Christopher Parker was in Jim’s first film ‘Permanent Vacation.’ And Klaus Nomi, was just getting ready to shine over at Club 57 in the next year or so.”(Godlis,1978)
8. Patti Smith performing with the Patti Smith Group (1977).
Patti Smith performing with the Patti Smith Group (Godlis,1977)
9. Punk innovator Richard Hell performing (1978).
Punk innovator Richard Hell performing (Godlis,1978)
Richard Hell, Bowery, ''Around 3 a.m., I caught Richard exiting CBGB before catching a cab in the Bowery rain'' (Godlis 1977)
Richard Hell, Bowery, ”Around 3 a.m., I caught Richard exiting CBGB before catching a cab in the Bowery rain” (Godlis 1977)
10. The infamous bathroom stalls (1976).
CBGB’s Bathroom “The Metropolitan Museum of Art used this photo to recreate the legendary CBGB bathroom for their ‘Punk Couture’ show last year. That’s one way to get into the Met, I guess.”(Godlis,1976)
Legs-at-CBGB-by-GODLIS-w
Punk magazine co-founder Legs McNeil enjoying (?) a drink (Godlis, 1978)
12. The Talking Heads performing (1977).
Talking Heads, CBGB. “This was the first time they played CBGB as a foursome, after adding Jerry Harrison (formerly with the Modern Lovers). They used to do a great cover of 1910 Fruitgum Company’s ‘123 Red Light.’ It’s on YouTube.”(Godlis,1977)
13. Blondie performing (1977).
Blondie, CBGB. “Another view from the side of the stage. Debbie Harry with Chris Stein on slide guitar doing a cover of ‘Little Red Rooster’ at the Punk Magazine Benefit show.” (Godlis,1977)
14. Richard Manitoba, lead singer of the Dictators, and a friend stand beneath the awning of the club.
Dictators, Bowery. “I photographed ‘Handsome Dick’ Manitoba and his girlfriend Jody under the awning to thank him for returning my lost wallet. Considering that I used to have to explain to people what the letters CBGB OMFUG* meant every time I’d show this picture, I never could have imagined that CBGB would someday grace iconic T-shirts worldwide.” (Godlis.1976)
15. No wavers (which was a short-lived subculture for people who rejected the new wave musicart movement), waiting outside the club (1978).
No Wave Punks, Bowery. “I think it was Terry Ork who came up with the idea to name the next thing after New Wave, No Wave. All participants in this scene, here hanging right outside the club are Harold Paris, Kristian Hoffman, Diego Cortez, Anya Philips, Lydia Lunch, James Chance, Jim Sclavunos, Bradley Field and Liz Seidman. Well actually, Harold Paris was not a participant, but he was a best friend of Thurston Moore who once told me he should have been in this photo instead. He was probably standing right next to me when I took it, and his Volkswagen can be seen parked in the background.” (Godlis, 1978)
16. Dee Dee and Joey of the Ramones arriving at the club (1977).
Dee Dee and Joey Ramone, Bowery. “Dee Dee once told me that he chose this for the cover of his book “Poison Heart – Surviving The Ramones”, because he remembered this as a ‘really good night.’ I like that reason.” (Godlis,1977)
The Ramones, who are arguably one of the artists most closely associated with the CBGB, performing (Godlis,1977)
The Ramones, who are arguably one of the artists most closely associated with the CBGB, performing (Godlis,1977)
Ramones, CBGB. "I love that Joey Ramone is holding up the 'Gabba Gabba Hey' sign himself, before they started bringing Zippy onstage to hold it during 'Pinhead.''(Godlis,1977)
Ramones, CBGB. “I love that Joey Ramone is holding up the ‘Gabba Gabba Hey’ sign himself, before they started bringing Zippy onstage to hold it during ‘Pinhead.”(Godlis,1977)
CBGB Interior at Closing Time. "Walking out of the club at 4 a.m., it all looked so romantic to me." (Godlis,1977)
CBGB Interior at Closing Time. “Walking out of the club at 4 a.m., it all looked so romantic to me.” (Godlis,1977)
garbage truck
Garbage Truck, Bowery 4 a.m. “And here’s what it looked like out on Bowery after closing when the Garbage Trucks ruled the NYC streets. They still do.” (Godlis,1977)

10 Ramones Clips You Need To Watch!

ramonesJust click on pic for the clips!

When you boo the Ramones, you are booing rock’n’roll”; So said Supersuckers’ frontman Eddie Spaghetti. They could be the truest words ever uttered. Tommy Ramone, who died Friday on July 11th 2014 at the age of 65, was the band’s first official drummer and the cool, streetwise rogue in the shrunken black T-shirt and oversized shades staring out from the cover of that 29-minute-sprint-to-the-finish first album. An original member of the band, Tommy’s tenure in the group would last until 1978. During that time he played on arguably their three greatest records (RamonesLeave Home and Rocket To Russia), co-producing each and underpinning the songs with a high-energy, no-frills style that combined with Johnny Ramone’s buzzsaw guitar to propel their music to thrillingly unhinged heights. And if proof were needed of the NY punk icons’ foundation status in rock’s edifice, one need only survey the video evidence corralled below. Strap yourself in, and prepare to break the sound barrier with the Ramones Mark I at their very, very best.

tommy-ramones
Click!

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White Trash Punk Playground

The two books go well together, giving a representative look at the intersection of music, art, scene-making, fashion, hustling, and hanging out that made the early New York City punk scene so indelible.

Vintage Photos of New York City’s 1970s Punk Playground

David Johansen of the New York Dolls and Richard Hell of Television backstage at CBGB. From White Trash Uncut by Christopher Makos, © 2014, published by Glitterati Incorporated

Two notable recent books from Glitterati Incorporated take readers deep into New York City’s 1970s punk underground. Playground: Growing Up In the New York Underground by Paul Zone, with Jake Austin (of Roctober fame!), features photos and firsthand accounts from a foot soldier in the rock and roll wars waged in the city’s now infamous clubs, including Max’s Kansas City and CBGB. White Trash Uncut, meanwhile, comes out of Andy Warhol’s factory scene and, as you might expect, takes an artier look at the New York scene.

Given that my tastes tend more towards the Ramones/Dead Boys/Dictators and less Warhol/Waters, Playground hits a real sweet spot. Zone’s photos pull back the curtain on that time and place in a way few other books on the ’70s NYC scene have done. Being in a band at the time (The Fast), Zone was in the thick of it from the beginning. Sure, you get plenty of (mediocre) performance photos. But that isn’t why you’re here. Where Playground shines is in its casual photos of friends—famous and not—behind-the-scenes, after hours and off guard, almost 240 pages of them. It also brings Legs McNeil and Gillian McCain’s awesome oral history of the early New York punk scene, Please Kill Me, to life. It’s a perfect companion.

With the recent passing of Tommy Erdelyi/Ramone, Playground is particularly timely. It’s an exciting visual romp through a unique period in the history of rock and roll. Looking through the photos, it’s hard not to notice how many of the people featured have died, many way before their prime: drugs (too many to list), AIDS (which also took Zone’s brother, Miki), cancer (three of the original Ramones) and weird car crashes (Stiv Bators). How the hell are all the Stones still alive and the Ramones all dead? Here are some samples from that book:

Sylvain Sylvain, Johnny Thunders, and Jerry Nolan (New York Dolls) at Max’s. (August 1973)
Tish and Snooky at Manic Panic on St. Marks Place (1978)
Debbie Harry (Blondie) at Max’s. (1975)
Dee Dee Ramone and Connie Gripp in Max’s kitchen. (1975)
Wayne County at the Coventry, in Queens. (1973)
Crayola at Max’s. (1977)
Originally published in 1977, White Trash Uncut, by Andy Warhol Factory devotee and one time Interview staff photographer Christopher Makos, quickly went out of print and became something of a collector’s item. Finally reprinted, the book consists of a mix of artsier photos—close-ups of body parts and portraits of players in the art and music scenes, focusing on that point of intersection between the two in venues like Max’s Kansas City. It leans heavy on photos of the well-known, if not outright famous: Richard Hell, Andy Warhol, Mick Jagger, the Dead Boys, Debbie Harry, Grace Jones, David Bowie, Divine, Man Ray, John Waters, Marilyn Chambers and plenty other luminaries of that era. The reprint includes 25 photos not included in the original book. Here’s a sampling:
Punk Rock fans, New York City.
David Bowie in Los Angeles.
Divine and John Waters
Hustler, posing. (Jeans by Fiorucci, Milan.)
Earring by Gillette.

PLUS!

CBGBS BLITZKRIEG BOP FEAT. RAMONES , DEBBY HARRY & DEAD BOYS 

LONDON SCENE 1978

The Way They Were

Old Punk documentary from Granada TV on Channel 4. Features (in order):- Sex Pistols, Elvis Costello, Buzzcocks, John Cooper Clarke, Iggy Pop, Wreckless Eric, Ian Dury, Penetration, Blondie, Fall, Jam, Jordan, Devo, Tom Robinson Band, Johnny Thunder, Elvis Costello, XTC, Jonathan Richman, Nick Lowe, Siouxie & the Banshees, Cherry Vanilla & Magazine….. The tape fails there! I have left the adverts in for historical reference – TSB, Once, Cluster, Coke is it, Roger Daltrey in American Express, Ulay, Swan, Our Price, Gastrils, Cluster & Prestige. All content remains the copyright of the current holders ~ I claim none.

 The Punk Rock Movie

A revealing look into the bands comprising the 1978 London punk-rock scene, and a peek back-stage at the lives behind the facade. Includes performances by Sex Pistols, Siouxsie and the Banshees and other concurrent bands.

Most of the bands were filmed at the Roxy club in London, where Don Letts worked as a DJ. Letts filmed the bands very simply with a Super-8 camera, and also filmed on the tour bus and at shows with The Clash and The Slits. The Sex Pistols were filmed at Screen on the Green in London on 3 April 1977, Sid Vicious’s first show with the band.

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