We see here Yolandi Visser completely undertaking her role as ”Mumma” as it is required in the movie”Chappie”. This was filmed way backthough when Yolandi was pregnant with her beloved daughterSixteen Jones
Die Antwoord , a South African rap group formed in Cape Town in 2008 formed by rappers Watkins Tudor Jones a.k.a Ninjaand Yolandi Visser, and producer God (formerly referred to as DJ Hi-Tek), turned out to be this very strange concept that has to be understood from a very sarcastic second degree. I’m not a huge fan of the movie ”Chappie” as such, it’s entertaining but to me these guys represent something more than what meets the eye… That’s partly why I wanted to propose something very different and experimental that shows another side of what they really are about. Just dig a litte deeper the music done by Watkins Tudor Jones under various names, go past the first degree in their clips, and maybe you will see what I mean… So, here it is for….
Penelope Spheeris’ documentary on the Los Angeles punk scene. Filmed between December 1979 and May 1980, featuring Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X was this was the first of aserie of 3 ”Decline movies”.
Featuring interviews, live concert footage, and a feature on how punk was transformed from a trend to a way of life, UK/DK is a comprehensive look at the skinhead/punk movement. Some of the most notorious bands on the scene are featured, including The Exploited, The Vice Squad, The Adicts and many more bands from UK.
Veteran documentary filmmaker and hipster Lech Kowalski creates this film about his friend and hard-partying rock god Johnny Thunders,member of legendary proto-punk band the New York Dolls. Through archive footage and interviews with such musicians as Dee Dee Ramone and Sylvain Sylvain, the film details his stint with the Dolls, the formation of his other band, the Heartbreakers; his rise to fame, particularly in Japan; his descent into heroin addiction, and the mysterious circumstances of his death in a New Orleans hotel room in 1991. Born to Lose: The Last Rock ‘n’ Roll Movie also contains some rarely seen concert performances in Max’s Kansas City and the Mudd Club. The photo on the poster is by photographer Marcia Resnick.
From the interviews with seminal bands in their earliest stages, D.O.A features live performances by the Sex Pistols, The Dead Boys, Generation X (with Billy Idol), The Rich Kids, the X-Ray Spex, and Sham 69, with additional music from The Clash, Iggy Pop, and Augustus Pablo to the live coverage of the first Pistols show in America, ”D.O.A: A Rite of Passage” is thus far the ONLY film to truly capture the feel, spirit and philosophy of the era. A near-comatose Sid Vicious is hilarious, as is the truly terrible, ersatz punk band Terry and The Idiots, whose leader is interviewed about the scene throughout the film. The depictions of a very bleak, “no future” England sum it all up as succinctly as the music itself.
Jubilee is a 1978 cult film by Derek Jarman heavily influenced by the 1970s punk aesthetic in its style and presentation. Shot in grainy colour, it is largely plotless and episodic. Location filming took advantage of London neighbourhoods that were economically depressed and/or still contained large amounts of rubble from the London Blitz during WWII. Unlike the others this one is really a movie, not a documentary and that is why I thought it would be interesting to include it on the list. The Plot:When Queen Elizabeth I asks her court alchemist to show her England in the future, she’s transported 400 years to a post-apocalyptic wasteland of roving girl gangs, an all-powerful media mogul, fascistic police, scattered filth, and twisted sex. With Jubilee, legendary British filmmaker Derek Jarman channeled political dissent and artistic daring into a revolutionary blend of history and fantasy, musical and cinematic experimentation, satire and anger, fashion and philosophy. With its uninhibited punk petulance and sloganeering, Jubilee brings together many cultural and musical icons of the time, including Jordan, Toyah Willcox, Little Nell, Wayne County, Adam Ant, and Brian Eno (with his first original film score), to create a genuinely unique, unforgettable vision. Ahead of its time and often frighteningly accurate in its predictions, it is a fascinating historical document and a gorgeous work of film art.
Fresh from making his cinematic debut with The Great Rock ‘n’ Roll Swindle, director Julien Temple wrote and directed this short promotional film Punk Can Take It for punk band the U.K. Subs. The promo mixed live performances—shot during the U.K. Subs’ tour to promote the single “Stranglehold”—with a comedic pastiche of Temple’s source material—a Second World War propaganda film London Can Take It, which had shown the plucky Londoners’ resilience to Germany’s bombing campaign. In Temple’s film the U.K. Subs provided the “symphony of war” while Eddie Tudor Pole and Helen Wellington-Lloyd are embattled punks fighting for victory against crass blood-sucking commercialization of the music they love. The U.K. Subs (short for “Subversives”) were among the original bands who led the British punk charge in 1976. Still performing and recording today, this film captures the Subs at an early high point in their career under the pairing of Charlie Harper (vocals) and Nicky Garratt (guitar) who created a blistering output between 1979-1982.
If you were disappointed by the shitty CBGB’s movie made a couple of years back starring Alan Rickman, then you will get a better sense of the energy, talent and musical revolution that took place at CBGB’s in the mid-1970s with this hour-long TV documentary Blitzkrieg Bop . Focussing on The Ramones, Blondie and the The Dead Boys, Blitzkrieg Bop mixes live performance with short interview clips and a racy newscast voiceover. It’s recommended viewing.
Punk: Attitude is a film by Don Letts. It explores the “punk” revolution, genre and following from its beginning in the mid-1970’s up to its effect on modern rock music and other genres. The cast is a veritable list of alternative musicians and directors offering their opinions on what has been called a musical revolution. One of the film’s celebrated attributes comes in the form of its cast, showcasing the who’s who of punk tock/alternative culture contemporaries like David Johansen, Thurston Moore, Henry Rollins, Captain Sensible, Jim Jarmusch, Mick Jones, Jello Biafra, Siouxsie Sioux, and Darryl Jenifer.
From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members ofPink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band’s complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.
Jarmusch has commented: “No other band in rock’n’roll history has rivaled The Stooges’ combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a front man who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud. There is no precedent forThe Stooges, while those inspired by them are now legion.“He added that the film “is more an ‘essay’ than a document. It’s our love letter to possibly the greatest band in rock’n’roll history, and presents their story, their influences and their impact, complete with some never-before-seen footage and photographs. Like the Stooges and their music, ‘Gimme Danger’ is a little wild, messy, emotional, funny, primitive, and sophisticated in the most unrefined way. Long live The Stooges!”
A movie by Ullie Lommel featuring Richard Hell,Andy Warhol and Carole Bouquet. Nada, a beautiful French journalist on assignment in New York, records the life and work of an up and coming punk rock star, Billy. Soon she enters into a volatile relationship with him and must decide whether to continue with it, or return to her lover, a fellow journalist trying to track down the elusive Andy Warhol. Also a 1976 documentary by the same name HEREfeaturing Patti Smith, Television, Ramones, Blondie and Richard Hell.
“Salad Days: A Decade of Punk in Washington, DC (1980-90)” is a documentary film that examines the early DIY punk scene in the Nation’s Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows—without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry’s subsequent implosion). Thirty years later, DC’s original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction. There is also an earlier documentary called ‘‘A History of DC Punk” that predates Salad Days’ overlook of the DC Punk scene.
Roxy club disc jockey Don Letts was given a Super 8 camera as a present by fashion editor Caroline Baker.When Letts started to film the acts at The Roxy, it was soon reported that he was making a movie, so Letts determined to film continuously for three months. The film features live footage of The Clash, Sex Pistols, WayneCounty & the Electric Chairs, Generation X, Slaughter and the Dogs, The Slits, Siouxsie and the Banshees, Eater, Subway Sect, X-Ray Spex, Alternative TV and Johnny Thunders and The Heartbreakers. Backstage footage of certain bands, such as Generation X, The Slits and Siouxsie and the Banshees, is also included. All live footage was shot at the Roxy, except that of the Sex Pistols, who were filmed at The Screen On The Green cinema in London on 3 April 1977. The performance was Sid Vicious’ first public concert with the band.
Danny Says is a documentary on the life and times of Danny Fields. Since 1966, Danny Fields has played a pivotal role in music and “culture” of the late 20th century: working for the Doors, Cream, Lou Reed, Nico, Judy Collins and managing groundbreaking artists like the Stooges, the MC5 and the Ramones. Danny Says follows Fields from Phi Beta Kappa whiz-kid, to Harvard Law dropout, to the Warhol Silver Factory, to Director of Publicity at Elektra Records, to “punk pioneer” and beyond. Danny’s taste and opinion, once deemed defiant and radical, has turned out to have been prescient. Danny Says is a story of marginal turning mainstream, avant garde turning prophetic, as Fields looks to the next generation. When I asked Legs McNeil what documentary I should watch, this is the one that he pointed out to me so imagine my joy when I saw it was featrured on Netflix. I’ve watched it twice in a row, and then some more…
Vince Lombardi High School continues to lose its school principles. The students are more concerned with rock ‘n’ roll than their education until the new principle, Miss Evelyn Togar is hired. She promises to set Vince Lombardi High School straight, and get the students focus back on education. However, a Ramones concert is coming to town, and Riff Randall, the biggest Ramones fan at the high school, plans on getting tickets to the concert in order to give them a song that she wrote entitled “Rock N’ Roll High School”. A series of events including Miss Togar taking away Riff’s tickets, a record burning and a taking over of the high school by Vince Lombardi High students and the Ramones, leads to a school evacuation by the police and an even more surprising ending!
Let Malcolm McLaren show you how to achieve fame and fortune by making your pop group the most despised band in the world! This film about the brief but eventful career of The Sex Pistols primarily focuses on McLaren, their manager, as he presents his ten-point program on how to achieve success through chaos, ineptitude, and abusing the music industry. Despite some remarkable footage of The Sex Pistols’ infamous Jubilee Day performance and clips from their final concert in San Francisco, there’s surprisingly little screen time devoted to the group actually performing. Instead, The Great Rock ‘n’ Roll Swindle offers McLaren’s agit-prop philosophies on music, culture, politics, and the entertainment industry, as well as an amusing (if often inaccurate) account of the band’s rise and fall. Along the way, we’re also offered some curious animated sequences, “film noir” episodes starring guitarist Steve Jones, footage of the band recording with exiled British train robber Ronnie Biggs, and Sid Vicious singing “My Way” (he had been dead for over a year by the time the movie was released). The Great Rock ‘n’ Roll Swindle began life as “Who Killed Bambi?”, a project written by Roger Ebert and directed by Russ Meyer, which closed down after two days of shooting when funding fell through. By the time McLaren and Julien Temple got it off the ground (with a radically different script), Johnny Rotten had left the group, which explains why the band’s front man is hardly in the movie. The rest of the group broke up a few months later. ~ Mark Deming, Rovi
I have written at least one post about Charles Burns before but maybe I failed to mention that to me he is amongst my 3 favorite graphic novel artist. I sincerly, deeply admire the quality, the releveance and the genius behind each of his books and other creations like the pocket sleeve of Iggy Pop album Brick by Brick, this guy always taps right up into my alley when he picks a subject on whatever topic it is; music, movies, writers, trends from a certain era.. I really appreciated his Black Hole, went back and read all his previous work and wouldn’t miss reading hisX’ed Out Trilogy and now this. It never fails to deceive me. Burns brings you in a world of his own. Icons from our childhood now coming back to haunt us in a twilight zone that might be awaiting some of us, Burns brings evil with candor from the least expected things but giving it a estheatic treatment that is suppose to be reassuring, very definite lines, 50’s like cartoons and a technique that is flawless and is not unique but if you take it as a whole, Charles BUrns has really managed to make is style recognizable instantly, unequaled, unparalleled. Hergé drawing and writing pop surrealists stories simpler but close to what Burroughs could have done when he was a kid.
R. Crumb once observed that “The work of Charles Burns is a vision that’s both horrifying and hilariously funny, and which he executes with cold, ruthless clarity… It’s almost as if the artist… as if he weren’t quite… human!” And it’s true that Burns’ icy pen and ink drawings, which came to popular attention with the publication of the graphic novelBlack Hole, depict disturbing realms that similarly attract and repulse, while being both alien and yet familiar.
The good news for Burns fans is that two new titles, Vortex and Love Nest, will be published this month byCornelius. But if you’re in Paris there’s no need to wait since you can currently snag copies at Galerie Martel, while checking out original drawings from the titles, such as the ones below.
Fuco Ueda Solo Exhibition ” Odd-Eye “ December 10th – December 31th 2016 Opening reception : December 10th 6:00 – 9:00pm Open : noon – 6:00 pm Close : sun and mon Thinkspace gallery http://thinkspacegallery.com 6009 Washington Blvd. Culver City, CA 90232 (310) 558-3375
On December 5, 1970, The Stooges played a show at Michigan’s Farmington High School. That’s Zeke Zettner on bass, James Williamson AND Ron Asheton on guitar as well as Scott Asheton on drums. Jim Edwards (lead singer of Detroit band The Rockets) saw these pictures taken by Syd Ganon at the gig and immediately shared them on his facebook page. I heard about it much later through Please Kill Me. Here they are now posted with everything I could gather around their story and various comments from people who sat their asses in this gymnasium that happen to be the theater of one the very first real StoogesConcert.
”He was 45 minutes late because they were “busy” in the john with needles and such, or so rumor had it. It was my lap he landed on, shocked the crap out of me. You can see the side of my face in the pic, lol. I remember I kept tapping his shoulder, “Sir? Excuse me, sir?” lol His tongue freaked me out, full of what looked like holes to me. I remember I was sitting next to my friend I called “Bucky”, I think his name was Mark McCallum? Could be wrong there, but I was begging him to get Iggy off of me! Probably a good experience, all in all for me, as it was an “in your face wake up call” to show me what the end of the “path” I was teetering on actually looked like.”
Here is a comment I got from Jennifer Saffran that would make sense on the events that took place before the show:
Not the story I heard. I graduated from this high school later, and did not see this show. My history teacher told us what happened. He said that Iggy was shooting up right before the show in the bathroom. The police had been trying to “catch” him, and they found him with the needle, ready to go. The police were about to arrest him, but it was agreed they would let him do the show, then arrest him at the end, since the gym was full of kids waiting. He collapsed. No administrator approved the Stooges, exactly. A group of students picked th bands and no one really ran it by an adult, or if they did, no one knew what they were in for. After that, the admin. made sure they screened what happened at school dances more carefully. I never heard of a live band performing after that, only DJs.
Whatever happened that day, it is now part of the legend. Iggy is now 70 years old, alive and kicking! Check out Gimme Danger, Jim Jarmusch documentary on The Stooges!
“The only true currency in this bankrupt world is what you share with someone else when you’re uncool.” ― Lester Bangs
I have just finished reading ”Just Kids” for the second time and I can’t help feeling a bit of anguish as I’m about to express my perception of Patti’s first book of prose mainly, I suppose, due to the fact that it’s a best seller. Not that I disagree, Au contraire! All the praise about ”Just Kids’‘ is very well deserved, but so much has been said already that I forbade myself to read any of it so that everything I would say would be 100% mine. Therefore I will simply pretend I’m the only bloody diamond geezer who was clever enough to read it, heartily hoping to bring something new to the table in the process. I chose this quote by Lester Bangs as an opener because these words seemed to be the very foundation of one of the most sincere and coolest relationship ever, one that’s been told through the pages of ”Just Kids”, a true story that would in itself become an inspiration for so many more to come. It’s a call to be who I really am no matter what, because by doing so, I might be able to bring something unique and new in this bankrupt world.
”There Will Always Be Us!”
In ”Just Kids”, legendary, highly authentic American inspired singer-songwriter, poet, and visual artist Patti Smith, who became an influential component of the New York City punk rock movement, offers a very unique, never-before-seen glimpse of her honest, enduring, sister-brother, Yin/Yang, boyfriend/girlfriend magical everlasting relationship with photographer Robert Mapplethorpein the epochal days of New York City and the Chelsea Hotel in the late 60s and 70s.
The relation itself is the guiding light and the whole purpose of this book and if, at times, certain passages might seem trivial, well, they never were. This unconditional love they shared – creative, sensitive, stimulating and artistically prolific – becomes a sincere and deeply moving story of youth, friendship and ultimately success. The best thing being that anyone can relate to it in a very intimate, personal way. ”Just Kids” fully grasp the heartfelt passion and holds this very same unique, sensitive and lyrical quality that is written between each lines of her formidable body of work, from her influential 1975 album Horses to her visual art and poetry.
No one else could have better described all the ins and outs of the unique, constantly evolving story she shared with Robert Mapplethorpe, and this means way more than just itemizing their body of work, for the whole represents way more than the sum of it and their relationship in itself was on its own an expression of art. It just couldn’t be contained in its entirety in little works nor in big works for all to see. Parts have been laid in music, paintings, poems and photographs but even all these, as inspired and beautiful as they are, fail in giving us a complete picture. Even if it celebrates a friendship that left a permanent impact on almost every artistic aspect and style in America, it still had to be told in a book. It was essential and sacred. Patti had to share their journey under the blue star, a symbol of their undying love for each other,one last time.
Patti writes in a Last Note to the Reader:
”We were as Hansel and Gretel and we ventured out into the black forest of the world. There were temptations and witches and demons we never dreamed of and there was splendor we only partially imagined. No one could speak for these two young people nor tell with any truth of their days and their nights together. Only Robert and I could tell it. Our Story, as he called it. And, having gone, he left the task to me to tell it to you. ” – Patti Smith, Just Kids, May 22, 2010
What makes this book so special is how Patti manages to express a magic that started almost immediately. Patti arrived in NYC with almost nothing but her wish to accomplish something no one has done before. Robert was already in NYC and struggling on an urban survival mode, but nevertheless they both had a deep sense that life had something very special in store for them and that it was written in the stars. They never thought it would be so hard, that they would have to struggle so much just to survive but nevertheless it didn’t take very long for them to be able to recognize the signs. We can feel that they saw in each other something true and very real, something which they felt they would later be able to rely on as persons and as artists. Of course there were moments of doubts but maybe it was these crucial moments that would prove them to be essential to one another. It never was a give and take type of relationship. The base for it might just be honesty, true faith in each other’s talent, the hope that there was a place for them as they were and that with a lot of work, perseverance and a little bit of luck, they would both find their niche as people and artists. Lots of spoken, unspoken pacts were made, very few ever broken.
Despite a certain ”twinlike” aspect, their part in each other’s life could also definitely be seen as complementary. One could say that Robert was the eternal dreamer, on some aspects, even alien to practical knowledge and certain everyday life faculties and that Patti possessed a more down to Earth perspective on life but this is only a half truth since, when needed, on several occasions, they could trade roles and when the other one would be in dire need of a trait that would normally be the other one’s unsaid character/task assignment, they would put their egos aside and would manage to trade places if it would help the other to get through a rough patch.
”The premise was simply that one of us always had to be vigilant, the designated protector. If Robert took a drug, I needed to be present and conscious. If I was down, he needed to stay up. If one was sick, the other healthy. It was important that we were never self-indulgent on the same day.
In the beginning I faltered, and he was always there with an embrace or words of encouragement, coercing me to get out of myself and into my work. Yet he always knew that I would not fail if he needed me to be the strong one”
The Chelsea Hotel
“I loved this place, its shabby elegance, and the history it held so possessively”
Back in those days, New York City was a very dangerous place. Some areas were filled with what is commonly regarded as the lowest forms of the human species likes thieves, pimps, rapists, thieves, hookers, murderers and so forth. Being young artists who strive to survive, of course they were bound to have to live in such areas. At one of their lowest points they were plainly told that they had to get out, that they wouldn’t make it if they stayed. Fortunately, there was a place that offered hope if you were an artist, a little island of optimism, gathering past, present and future generations of artists of all kinds where you didn’t even need to have money right away. Stanley Bard would keep your portfolio, or take a work of art until you could get it back and you were now part of a community that was very special, during the 60s and the 70s especially. The Chelseaplayed a huge part in the history of the new generation of artists of the 60s and the 70s.
”Gregory made lists of books for me to read, told me the best dictionary to own, encouraged me and challenged me. Gregory Corso, Allen Ginsberg, and William Burroughs were all my teachers, each one passing through the lobby of the Chelsea Hotel, my new University. ”
”The Moon Turned Blood Red”
Yet they came to a point where one or both of them needed more space, more freedom. Some things are meant to be faced and dealt with on your own even if they knew the other one will still be there for me if need it be but never taking one another for granted and always being grateful of each other’s effort to play the right part when needed, never taking advantage of one another. In one word: Respect was of course the cement that sealed the ”deal”. Robert soon had to face his inner demons and question his sexuality again and again. Of course this was heart wrenching for both of them.
”He had been with a fellow and not for money. I was able to give him some measure of acceptance. My armor sill had its vulnerable points, and Robert, my knight, had pierced a few, though without desiring to do so.”
Their relationship morphed and this had major effects on their everyday lives. It is during theses major changes and adaptations that could have tore them apart that we see that love makes all the difference in the world and that instead of trying to exert control on each other’s lives, they simply went ahead with the flow and they grew stronger. I would say that we witness how something some would see as a humiliation becomes merely a chance to humble ourselves and let life take its natural course. Never stop to love and support those who are true soul mates. A bond stronger than marriage.
I will not spoil all the fun and tell you everything that happens. I already told you the big lines and a few little ones but Here is one last thing that I realised reading ”Just Kids”.
I so happened to notice that in general there can be two different kinds of artists. Some very callous, careless, aloof and undisciplined that are successful because of their God-given talent and so much passion that they seem to evolve in a different space and time, going all the way with everything they’ve got, with all their worries and genius. They truly appear as some unstoppable forces of nature, pushed by some alien powers. Then there are others with which they share the same gift, also having a remarkable imagination, but very rooted in their reality, very lucid and conscious of the space they occupy in space and time as well as having a clear view on what is their place in society and what their relationships made of, how strong can they be.
Now certain artists are lucky enough to have just about the right proportion of each of these components within themselves, to be well supported by a team of people they trust and that have faith in their work. I think ”Just Kids” is about the encounter of 2 people who miraculously manage to complete each other perfectly as people and as artists.
”Where does it all lead?What will become of us? These were our young questions and young answers were revealed.
It leads to each other. We become ourselves.”
Together the Smiths had a son, Jackson (born 1982) and a daughter, Jesse (born 1987). Jackson, a guitarist, was married to Meg White (formerly of indie band The White Stripes). Jesse is a pianist. Both have performed on stage with their mother along with other members of the Patti Smith Group.
Patti Smith never forgot Robert Mapplethorpe and wrote ”Just Kids” in 2012. She had made a promise to Robertthat she’d write a book about them and she did, Patti wrote this memoire of their friendship in her own unique personal, direct, sensitive and wholhearted style and we should be all damn happy she kept her promise!
Check out this subversive fashion video for House Casting in New York City. It is based on the Iggy Pop song ‘I Wanna Be Your Dog’ and was played at the Center George Pompidou in Paris in September 09, as part of the ‘A Shaded View On Fashion’, during the larger fashion week.. Directed by Leg’s Georgie Greville.
Exploited Teen Models from Russia
It kinda works like either a pimp or a cult…Your pick… At first glance it seem’s all good but after awhile you are like hmmmm…There is definitely something wrong … BTW The Girl on top in the video is now the trainer in the documentary film for those who haven’t noticed…and she speaks quite frankly and honestly. That documentary called Girl Modelby Ashley Sabin and David Redmond has a very complicated backstory. Click HERE to read more.
Raised in Memphis, Tennesse in the United States, Leslie Ditto has always been drawn to self expression through the visual arts. Her teen summers were spent around her father’s Harley Davidson shop where she watched him build and paint motorcycles, and it was there her fascination with fantasy and surrealism developed. Her artistic influences include the “Old Masters” such as Leonardo Da Vinci, Rubens, Raphael, and Rembrandt and she has an appreciation for the technique of glazing transparent oil color over a neutral colored under painting.
Leslie’s disturbingly beautiful oil paintings aim to convey her deep emotions and personal views of current social, political, and religious dynamics. In describing her work, she says, “My main goal is to capture my audience and bring them to my emotional state in the hopes that my test for an echo will be a success”.